The Digital Golem
the usage of transmedia narrative as a strategy to frame a truth
DOI:
https://doi.org/10.14393/DL30-v11n3a2017-23Keywords:
Authorship, Transmedia, DiscourseAbstract
This article aims to question the effects of transmedia narratives in the composition of a genuine being, which wields the foucaultian function of author during Brazil's 2013 manifestations. Looking to grasp the relations that led Anonymous to it's position as author, drawing from the concepts of authorship, memory and transmedia narrative to establish an analysis of the three excerpts shown here, through which we explore how the dynamics between memory and media aloow for a diversified construction regarding the representation of Anonymous, estabilishing a complex network which has sustained and materizalized Anonymous as a pillar sustaining the truth at a turbulent moment in history.Downloads
Metrics
References
ANDRADE, E. Um Arquivo Vivo em Construção. In. CORACINI, M. J. ; GHIRALDELO, C. M. (Orgs.), Nas Malhas do Discurso: Memória, Imaginário e Subjetivdade. Campinas: Pontes Editores, 2011
BAUMAN, Z. Modernidade Líquida. Rio de Janeiro: Zahar, 2001. Original: Liquid Modernity. Inglaterra: Polity Press, 2000.
COLEMAN, G. Hacker, Hoaxer, Whistleblower, Spy - The Many Faces of Anonymous. New York: Vero, 2014.
CORACINI, M. J. A Celebração do Outro. Campinas: Mercado de Letras, 2007.
DERRIDA, J. Mal de Arquivo: uma impressão freudiana. Rio de Janeiro: Relume Dumará, 2001. Original: Mal d’Archive. Éditions Galilée, 1995.
DERRIDA, J. Pensar em Não Ver. In: MICHAUD, G.; MASÓ, J.; BASSAS, J. (orgs.) Pensar em Não Ver – Escritos sobre as artes do visível. Florianópolis: UFSC, 2012. Original: Penser à ne pas voir, 2002.
FOUCAULT, M. A Hermenêutica do Sujeito. São Paulo: WMF Martins Fontes, 2011. Original: L’herméneutique du Sujet, 2001
FOUCAULT, M. A Ordem do Discurso São Paulo: Loyola, 2011. Original: L’Ordre Du Discours. Paris, Gallimard, 1970.
FOUCAULT, M. O que é um autor? In: O que é um autor? Lisboa: Nova Vega, 2006. Original: Qu’est’ce qu’um auteur?, 1969.
JENKINS, H. Convergence Culture. New York: New York Press, 2006
KAWANISHI, P. Identidade e Autoria no Ciberespaço: os dizeres de um autor sem nome. Dissertação de mestrado. Campinas, 2016.
LATOUR, B. Reagregando o Social: uma introdução à teoria do Ator-Rede. Salvador: Edufba, Bauru, São Paulo: Edusc, 2012
OLSON, P. Nós Somos Anonymous. Barueri: Novo Século, 2014. Original: We are Anonymous, 2012.
SANTAELLA, L. Comunicação Ubíqua. São Paulo: Paulus, 2013.
V de Vingança. Direção: James McTeigue. Warner Bros, 2006.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in this journal agree to the following terms:
Authors retain the copyright and waiver the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution License (CC BY-NC-ND 4.0), allowing the sharing of work with authorship recognition and preventing its commercial use.
Authors are authorized to take additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.