Wassily Kandinsky's Theory of Colors and Graphic Forms
DOI:
https://doi.org/10.14393/REVEDFIL.v38a2024-67731Keywords:
Colors, Elements of Painting, Graphic Forms, KandinskyAbstract
The article intends to elucidate Wassily Kandinsky's theory of colors and graphic forms. Our interpretation is that this theory is a logic of the relationships between the elements of painting, colored forms and graphic forms. This logic is based on a tensional conception of composition based on the notion of contrariety and opposition. The abstract work of art presents itself as a series of internal tensions and contrasts between colors and graphic forms, allowing those who understand it to establish a meaning to the composition. We intend to analyze this logic of composition between graphic and colored forms, allowing us to discern a bristle ordering of these elements in a painting.
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References
HENRY, Michel. Ver o Invisível: Sobre Kandinsky. Trad. Marcelo Rouanet. São Paulo: Realizações Editora, 2012.
KANDINSKY, Wassily. Do espiritual na arte. Trad. Álvaro Cabral e Antonio de Pádua Danesi. São Paulo: Martins Fontes, 1990.
KANDINSKY, Wassily. Ponto e Linha sobre o Plano. Trad. Eduardo Brandão. São Paulo: Martins Fontes, 1977.
SERS, Philippe. Kandinsky-Philosophie de L’Art Abstrait. Paris: Hazan, 2016.
Data de registro: 11/12/2022
Data de aceite: 18/10/2023
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Copyright (c) 2024 Jairo Dias Carvalho

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