Abstract
I present a set of drawings from the series Perfume Enjoativo (2024–2025), photographs and a text that stem from the listening-writing proposition Absorver Ruídos, in which I draw and write in pocket notebooks during my daily bus commutes, since 2012. It is a work that involves processes of creating a vibro-sonic-visual corpography, in which I am interested in relations of involvement, friction, and slippage between body and surroundings. The series Perfume Enjoativo, in particular, highlights relations of impregnation between the labyrinth of the ear and the environment.

