Keywords
video
contemporary
How to Cite
Abstract
My journey from the paper sketchbook to the video editing benches allowed me to understand that it was just a journey through time and not a change in work methodology. The analysis of my work “INSTANTS”, started in 2013, will help us understand this paradigm shift in what serves as a contemporary reference image, and what this new contemporary painting would be. We will question this new border between the real and the virtual, these new questions and consequences that this generates. Knowing that today, an image captured at a distance, which until now was limited to that authorized by the perception of our gaze, today has no limits. Revealing a mutation of the referent in the work of art which, depending on the time, place of life and technical advances, brings to light the artist's uniqueness.
References
AUGÉ, Marc. Pour une anthropologie des mondes contemporains. Paris: Aubier, 1994.
BACHELARD, Gaston. L’Intuition de l’instant. Paris : l’Harmattan, 2012.
BARTHES, Roland. L’empire des signes. Paris: Editions du Seuil, 2007.
BAUDELAIRE, Chales. Ecrits sur l’art. Paris: RMN Grand Palais, 2010.
COUCHOT, Hillaire. L’art numérique, comment la technologie vient au monde de l’art. Paris : Flammarion, 2003.
DEBRAY, Régis. Vie et mort de l’image. Paris : Gallimard, 1992.
DELEUZE, Gilles. Cinéma 2, L’image-Temps. Paris: Les éditions de Minuit, 1985.
GAYFORD, Martin. Conversations avec David Hockney. London : Thames et Hudson, 2011.
MALDINEY, Henri. L’art, l’éclair de l’être. Paris : Éditions du Cerf, 2012.
ROSENBAUM, Alexis. Regards imaginaires: essais préliminaires à une écologie visuelle. Paris: L’Harmattan, 2003.
SIMONDON, Gilbert. Du mode d’existence des objets techniques. Paris: Aubier, 2012.