Abstract
This text presents and contextualizes images of my work, seeking to deepen the concept of poiesis in the creation and interpretation of drawing, as well as its processual and graphic poetic exploration. It comments on some origins, formative paths and aesthetic stances on process and the fundamental idea that drawing is visual thinking. Finally, it clarifies my graphic stance on the nature of the image as a poetic presence, within which perception, reality, language and thought alternate positions. images as sign, symbolic images and images presence.