The participation of women artists in the Ephemera magazine

Abstract

This article has the intention to analyze the Ephemera magazine produced by Ulises Carion between the years 1977 and 1978 on a gender perspective. Among the twelve issues edited by the magazine, how did the participation of women artists take place and the extent to which their work contributed in an exemplary way to the critical and experimental proposal of the editorial scope and what were the issues raised by them.