Abstract
This article proposes a reflection on the series of performances that began in 2016 with the title "It's falling flower" and its developments, seeking to discuss the intentions of the work, as well as issues that raised from its realization. The work starts from the perspective of poetic transits through the city seeking to use this space in a sensitive way by the occupation of the body. Performance experiments also point to the need to discuss emerging issues through work such as the relationship with time, the transience of experience and the unfolding of work through records, the relationship with the viewer, the micropolitics.