Entre o Teatro Épico e a Desmontagem Cênica

uma análise sobre o espetáculo Ledores no Breu

Abstract

This article deals with an analysis of the play Ledores no Breu, by Companhia do Tijolo (São Paulo - SP), and starts, besides the dramaturgical text of the play, from the modifications of the face-to-face presentation to the presentation transmitted live over the internet. To this end, I will approach the theatrical languages starting from the concept of Dismantling, by Diéguez (2014) in order to perceive the links of this aspect with the Teatro Épico. I also intend to create an in-depth look at the relationship between the scenic poetics of the show and the social contexts in which the work is inserted in each of its versions - highlighting the virtual montage - as well as to penetrate into the relevance of the show for the discussion of the aforementioned theatrical areas.