ENRAIZEIRAS

remembering politics of the ground

Abstract

In the movement of re-enactment, we give way to the writing of this article by assuming it as a plan for composing difference, aiming to revisit and reactivate the dance Xxxxxxxxxxx. In this re-making, we embrace the six planes of composition suggested by André Lepecki, which together in this text, evoke the politics of the ground from where we dance-write. Examining the discussions related to the dimensions of each plan and from their resonances, we present the theoretical-practical approaches linked to the affective contexts and the creation process of the dramaturgies, of body and scene, of Xxxxxxxxxxx. Images contribute to the composition of a cartographic writing. Supported by Suely Rolnik's perspective of decolonizing the unconscious, we share the possible micropolitical contours of our decolonial epistemological incursion, as a feminist and artistic praxis that remembers our politics of the ground: re-territorializing the body-territory in becomings-thing immanent to the territory-earth. After all, endless are the worlds that request passage to their roots.