The The film "Ôri"

a decolonial quilombola body

Abstract

The text analyzes the film “Ôri” (1989) directed by Raquel Gerber. A work that, through multiple looking strategies, discusses the process of liberation of the Brazilian black people. Having as a guiding thread the life of black intellectual Beatriz Nascimento. A self-author when proposing her particular worldview, but it is also a writing of a people, of a multiple black body. In this way, assuming a methodology that does not intend to be unique, true, what they propose is a path to be followed, traveled by the body in movements of affection, amazement, doubts. A decolonial methodology of film analysis, perceiving the film as a quilted body.