Nas ruas do sem fim do mundaréu com "As quatro chaves" e o Ventoforte

Abstract

The article is part of the actoral research on music, dance and visual arts as essential languages for the play of the performer with the public in street theater. The original thesis of the article consists of corporeal-musical studies and experimentation in the rehearsal room, presentations of plays, street and stage, investigations and permanent collections of aesthetic materials across the country, to build the practical and conceptual bases of a methodology for teaching theater, based on Brazilian anthropological variants, which brings music and popular dance to creative processes and teaching-learning relationships. In this actorial investigative context, the article highlights the modes of preparation-creation and presentation of “As quatro chaves” (The four keys), a street show and open spaces, in which the arts are integrated in a game of learning desires with the public, highlighting the artistic and pedagogical relevance by Ilo Krugli and Teatro Ventoforte in the historiography of art education and the children’s theater in Brazil. The play translates Ilo Krugli's thought, creative and libertarian worldview, which makes the street play of desires a space for exchanging knowledge and experiences, a field of knowledge and freedom of expression, of autonomy of being, of times and collective spaces of communion and celebration.