Crossing views:

poetics of action in urban art today

Authors

  • Maria Elisa Martins Campos Amaral Universidade Federal de Minas Gerais

DOI:

https://doi.org/10.14393/OUV-v16n1a2020-51491

Keywords:

Art, public space, activism, boundaries, daily life

Abstract

The sense of openness and crossing in this article explains the potential of many artistic manifestations activated in public spaces, leading us to multidisciplinary interactions and contamination with the city and the social space, through noise and diversified provocations. Three initiatives by artists from Belo Horizonte, one in the form of a public notice opened in three consecutive versions to collective and individual artists, help this reflection, seeking to point out the diversity of possibilities, tools and artistic conducts that appropriate routine and sometimes banal circumstances, to dive sharply, poetically and critically, into the daily lives of cities. The Case Vecana, elaborated by the Collective Marimbondo, some experiences taken up by the artist Paulo Nazareth and the project Wall’s: Shared Territories, are the cases studies presented and it is within this brief set that it is proposed to question geopolitical and artistic boundaries that, at present, are visibly blurred.

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Author Biography

Maria Elisa Martins Campos Amaral, Universidade Federal de Minas Gerais

Artista-pesquisadora, graduou-se em Artes Plásticas na Fundação Armando Álvares Penteado / SP (1986), Mestre em Arte pela Escola de Belas Artes da UFMG (2001) e Doutorado em Arte pela mesma Escola (2011), com pesquisa sobre a materialidade da imagem na arte, realizando estágio (bolsa PDEE/CAPES) na Université Paris8, Saint Denis, FR.

Published

2020-07-23

How to Cite

AMARAL, M. E. M. C. Crossing views: : poetics of action in urban art today. ouvirOUver, [S. l.], v. 16, n. 1, p. 174–187, 2020. DOI: 10.14393/OUV-v16n1a2020-51491. Disponível em: https://seer.ufu.br/index.php/ouvirouver/article/view/51491. Acesso em: 24 nov. 2024.