O Teatro Rapsódico em miúdos

Abstract

The aim of the study is to offer the reader a reading about the concept of Rapsodic Theater, aiming at exposing the main ideas and notions from the theoretical point of view that form this understanding of theatrical rhapsody. The concept was established by the French theatrical researcher Jean-Pierre Sarrazac in 1981 within his thesis titled O futuro do drama. It was begining from this work that the research was started, trying to synthesize the key points of each topic to which the author studies. Another supporting material used by the Léxico do drama moderno e contemporâneo, written by the study group Sarrazac attends and organizes by himself. Next, we try to contextualize the concept, trying to understand its origin and its relations with other scholars of the modern drama as Peter Szondi and Jean-Pierre Ryngaert.