Mientras Bailamos
Situated Performance and Hemispheric Tele(counter)choreographies at Lugar a Dudas
DOI:
https://doi.org/10.14393/OUV-v20n2a2024-74402Keywords:
situated performance, tele(counter)choreographies, performative research, hemispheric artistic practice, neofascism in the AmericasAbstract
This article reflects on the composition of Mientras Bailamos (While We Dance), a situated performance and mixed media series created by the author during an artistic residency at Lugar a Dudas contemporary art center (Cali, Colombia). The series articulates tele(counter)choreographies (Andrade, 2023, 2022, 2016) as a way of confronting the operating alliances between neofascism, neocolonialism and neoliberalism across the Americas. In writing a dance quasi-chronicle that seeks to revoltar arquivos, this text explores the notion of radical imagination proposed by Haiven & Kashnabish (2015, 2014, 2012) to map out lines of situated performative research that bridge academic research, artistic practice and social movements.
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