"Biblioteca de Dança"

procedimentos em com.posições po.éticas

Abstract

This article presents the ethical modes that dynamize the po.ethical procedures of the choreographic installation "Biblioteca de Dança"  / "Dance Library" (2017), with the very notion of choreography being a device with the potential to create circuits of intersubjectivation as a coexistence technology. This reflection takes Practice as Research - PAR (Fernandes, 2013; 2014) as its methodological perspective, making the historiographical and performative procedures of the work a compass in the theoretical-critical elaboration and in the exercise of favoring the conditions in which difference and singularity are affirmed in choreographic practice. In terms of performativity, thinking ethically about the notion of choreographic procedure in dance implies not separating speech and act.