An analytical layout of the cinematographic sonority in the condition of discursive element in the audio-visual dispositive of the fictional environment

Abstract

The presented study of the cinematographic sound track objectivated the exploration of its mechanisms in the condition of element in the cinema dispositive, in a way that acts directly in the production of subject positions and subjectivation process integrant of filmic products. The research is ruled in the discursive theory from Michel Foucault, mainly in his method of regularities’ search in an enunciative dispersion, which one is part of the dispositive network analysis. By these means, the study selected certain scenes of a cinematographic production to, individually, the sonorous sequences being analyzed in their relation to other imagery and narrative elements, rescued by frames, that construct the whole scene. Such course made it possible to see evidences of different sonorous sequences, scattered in the final product and that assume specific modulations to establish different meaning effects and subject places to be assumed upon assimilation and identification with an artistic production.