Seria cômico se não fosse trágico?

A polêmica da charge cancelada de Jean Galvão sobre as enchentes no Rio Grande do Sul

Resumen

This study aims to understand that the elements of the charge of Jean Galvão operated, in the reception of the charge, the formation of the sense of humor in the spatial-temporal framework of the tragedy of the floods in Rio Grande do Sul and, In this way, they led the tragic to be read as comic work. The research is based on the Dialogic Analysis of Discourse, mainly based on references such as Bakhtin (1997; 2002;  2010) and Volóchinov (2021)Morson; Emerson (2008); Sobral (2009); Cardoso (2013); Queiroz (2017); Gonçalves (2017). For this, follows the qualitative research approach, of the descriptive type. The analysis showed that the negative sense of humor was formed by disassociation, in the constitution of the senses made during reading, of the verbal and visual planes, before an essentially verb-visual statement. At the same time, it was found that despite the negative reception of the production, the charge achieved its purpose to provoke public reflection, although for the proper understanding of the enunciative project of the producer, it was necessary its explanation by the producer himself.