Composição: Ensaio em 03 Movimentos

Abstract

ABSTRACT

The state-of-art of moving image is to understand it became design. Terms such as rhythm, metre (metric), composition and interval are originally established terminologies of the musical language. This essay tries a brief walking through database, memory, remix (and the different meanings between in it when its on first caps lock character) - maybe a drift on audiovisual arts: a dialectic approach to film form, graphics, typography and cinema (the experimental ones, the found footage and essay-film or the sci-fi ones). In short, it is a flanerie, a strolling essay on the video aesthetics procedures in order to become a composition, in its current three movements. Or, should we say three movements forward an essay on composition? Or, maybe, could be a composition with three movements in the process of essay? Like "the collision" in Eisenstein montage theory, pathos is averse to logos. Aesthesis speaks to us on sensations, those things which reason couldn't whole (composite/ composed of) define.

KEYWORDS

Design, editing, aesthetics, motion graphics, Black Mirror.