Filosofía del performance: escritura somática y ethos en escena.

Abstract

Separating art from thought and vice versa is a stratifying poison that threatens not only the theoretical academy but the pedagogy of art: the discursive limit of an arborescent, institutional and universalist tradition that fixes a point, an order to follow. Graduated from the Faculty of Philosophy and Letters as a professional philosopher, action art interests me as a phenomenon for what it contributes to philosophical thought: a well given thrust, since to try to organize a look at an event that bets on the now, the instability and bankruptcy, is simply an absurd exercise. I clarify: It is not, my goal is to write about performance: I do not seek to document what seems undocumentable: my goal is to think and practice from performance and its emptiness the performativity of writing as an exercise that never reaches its outside. Action art as a corporeal - thinking manifesto leads us to think of systole and diastole through the ways of art as a material, intermittent and fragmentary philosophy. The main theses of this philosophy are set in motion by our very life up to now