Third bank: antimodern symptoms in la Plata river

Authors

  • Fábio Feltrin de Souza

DOI:

https://doi.org/10.14393/ArtC-V19n34-2017-1-14

Abstract

From the perspective of historical construction of the smile, this text aims to question the different meanings of smiling representations in portraits (in painting and photography), tracing how from hidden and discreet smiles gradually became more and more present. At the same time, the expansion of dental care has transformed beauty standards (including smiles showing clean, aligned white teeth) that added to the dissemination of new sensitivities, practices and behaviors that stress the (almost obsessive) need to be always happy and smiling. To this should be added a commitment to take photos with smiles, which is easily done using digital and cameras and cell phones and quickly shared on social media (thousands of selfies).

eywords: smile; portrait; photography.

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Author Biography

Fábio Feltrin de Souza

Doutor em História pela Universidade Federal de Santa Catarina (UFSC). Professor do curso de História e do Programa de Pós-graduação Interdisciplinar em Ciências Humanas da Universidade Federal da Fronteira Sul-campus Erechim (UFFS).

Published

2017-10-03

How to Cite

de Souza, F. F. (2017). Third bank: antimodern symptoms in la Plata river. ArtCultura, 19(34). https://doi.org/10.14393/ArtC-V19n34-2017-1-14