THE CITY SPACE AS THE EXPRESSION OF ABANDONMENT IN THE WORK OF FRANCISCO ESPINHARA

Abstract

This article analyzes how Francisco Espinhara's pessimistic style is built in relation to the relations that his language establishes with the contemporary world of cities. This is a study that aims to investigate the abandonment and space as cutouts and marks of a work whose expression comes from the dilution of man in his infinite possibilities of solitude and isolation in the face of the impassive concreteness of the space in which he is inserted. In addition, this work was written in the effervescence of the Pernambuco Independent Writers Movement, which in its literary production identifies with the feeling of the city in its intimacy. The work, bibliographic in nature, takes as its principles the ideas of authors who bear the mark of pessimism and nihilism as supporting elements of the author's poetic language. Among them are Friedrich Wilhelm Nietzsche and Arthur Schopenhauer and the modern lyricist theorist Hugo Friedrich, who turns to an incident obsessed with his own existence in search of something that can bolster his loneliness and anguish, linking himself with themes related to his own. lyric poetry of the late nineteenth and early twentieth centuries. In this sense, the eyes of Mikhail Bakhtin and Gaston Bacherlard are inserted, as contributions that support part of our reflections regarding the voices we find in the subject and their relations with the space with which they relate.