Crispim do Amaral and the conception of the Teatro Amazonas

Abstract

This article discusses the construction process of the Teatro Amazonas in Manaus, highlighting the participation of Crispim do Amaral in its design. The investigation begins with a description of pre-existing theatrical spaces in Manaus, establishing the historical context for the construction of a public theater, noting the initial obstacles, interruption of the works, and their resumption during the government of Eduardo Ribeiro. Next, it delves into the career of Crispim do Amaral as a set designer and painter, and his role in decorating the Teatro Amazonas. We address the facade design, exploring the influence of classical and revivalist elements based on available primary sources. We aim to discuss the eclectic aesthetic of the Teatro Amazonas, which combines historical stylistic references with the use of innovative materials, such as the metallic structure of the dome, as well as the controversy surrounding its authorship and reception. We consider that the dome, designed by Bancels and possibly with the involvement of Amaral, became the iconic element of the Teatro Amazonas, consolidating its image as a symbol of the culture of that period. The research was based on the analysis of historical documents, such as blueprints, official letters, photographs, and newspapers, following the theoretical guidance of Valladares, Muthesius, Ricci), Panofsky, and Warburg (2015), among others.